Free Dina’s Art


ICOM? Are you still there?

This site reaches its first anniversary on January 1, 2010 as a now international effort to have Dina Babbitt’s artworks returned to their rightful owners by the International Auschwitz Committee. Dina Babbitt fully deserved during her lifetime, recognition of her status as a human being to whom certain clearly defined rights are accorded by international agreement, and, allegedly, by the International Auschwitz Committee itself.

In spite of their stated, and apparently noble goals, the IAC has failed miserably in the pursuit of those noble-sounding ideals. Dina Babbitt was denied her rights by the original owners of the Auschwitz Camp. The current owners also refuse, as they have for over 36 years, to acknowledge Dina’s Human Rights by relinquishing her property. They CLAIM to recognize Dina Babbitt as a human being, but in keeping her works from her, their actions can only underscore the falsehood of those claims.

Through our words, we show the world only that which we wish the world to think we are.  Through our actions we show the world who we truly are.

This pitiably blind group, the International Auschwitz Committee, has made itself the sole institutional heir to Hitler’s ideology that only those with power can define what is right and human. Both Hitler and the current IAC would maintain that the goals of the institution established at Auschwitz (whether the year be 1943, 1952 or 2010) are of paramount importance in making this world a better place.

Those goals may appear, through careful wording, to have changed over time but they have not. In essence, the IAC maintains that what was made at Auschwitz must stay at Auschwitz in order for the crimes committed there to be made right. And, there is no one better suited to define what is right than the administrators of the Auschwitz-Birkenau Concentration Camp/Tourist Attraction.

The art itself, 7 portraits of Gypsy Holocaust victims, was made by Dina Babbitt in her teen years while she was an internee at Auschwitz. Each of the persons depicted in the portraits was murdered soon after his or her portrait was completed.

It was the Nazi plan to demonstrate the racial inferiority of their victims and thus justify their monstrous humanity-denying practices. What happened to those victims was immaterial once the Nazis had what they wanted.

The International Auschwitz Committee, through its ongoing institutional behaviour is living proudly up to the standards established by Hitler and his cohorts. What happened to Dina Babbitt was immaterial to the International Auschwitz Committee once they had what they desired – Dina Babbitt’s possessions.

Due to the rigorous efforts of the International Auschwitz Committee, Dina Babbitt suffered for the rest of her life and died on July 29, 2009  without ever having enjoyed the benefits of what the United Nations calls its, “Universal Declaration of Human Rights.”

Let us hope that by next year at this time, Mr. Hitler’s work at Auschwitz will have been stopped completely. Let us strive to see the International Auschwitz Committee live up to its mandate and Free Dina’s Art.

International Council of Museums, it’s your turn to say something now.

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