Free Dina’s Art


ICOM, What’s Happening?
March 26, 2011, 3:55 am
Filed under: Active Decency | Tags: , , , , , ,
To: the ICOM Ethics Committee
Re: Dina Babbitt’s Human Rights

Dear Committee Members,

I am writing to request any updated information on progress that may have been made by the ICOM Ethics Committee in considering Dina Babbitt’s Human Rights claims against the Auschwitz State Museum, for possession of her Gypsy portraits.

The museum’s history and the rationale behind the granting of its current status as a UNESCO World Heritage Site should certainly accrue the responsibility to adhere most stringently to the Universal Declaration of Human Rights.

On the Museum’s web page in defence of its morally egregious claim to ownership of Dina Babbitt’s work, the anonymous author stresses that: “In the light of law, the rightful owner of the seven Gypsy portraits is the Auschwitz-Birkenau State Museum. In what regards the author property rights, they belong to Ms. Gottliebova. The Museum being the rightful owner, but without the property rights, is allowed to use them within the limits of permissible public use of protected artifacts, determined in regulation regarding author rights and relative rights.”

This spurious and specious claim violates article 17a of the United Nations Universal Declaration of Human Rights.

I believe that the application of an “extreme ideology” is being used by members of the International Auschwitz Council in denying Dina Babbitt’s right to own property, throughout her life and up to the present. This is wrong. It constitutes a contradiction of the Museum’s ultimate moral and ethical mandate while clearly continuing to disregard specific inconvenient  articles of the Universal Declaration.

I would hope the Ethics Committee can see that, in light of this intransigence, there is some question as to whether the Museum can be considered worthy of World Heritage Site status while it continues to disregard the Universal Declaration. Has this question been considered in the deliberations over Dina Babbitt’s art works?

I would sincerely like to understand how Dina Babbitt’s past mistreatment by an authoritarian regime can be used to justify the continuation of such mistreatment by the Museum’s current administrators. Any insights that can be provided would be most appreciated.

Thank you for your time and concern in this matter.

Sincerely,

Tim Thibeault
March 25, 2011
Ottawa, Canada

cc: muzeum.auschwitz.org.pl

cc:freedinasart.wordpress.com

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